<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Biblioteca Pluis | SITB Search for 'su:&quot;Musica-teoria&quot;']]> </title> <!-- prettier-ignore-start --> <link> http://31.97.24.37/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Musica-teoria%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="http://31.97.24.37/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Musica-teoria%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;Musica-teoria&quot;' at Biblioteca Pluis | SITB]]> </description> <opensearch:totalResults>27</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="http://31.97.24.37/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Musica-teoria%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522Musica-teoria%2522" startPage="" /> <item> <title> Curso de teoría razonada de la música / </title> <dc:identifier>ISBN:9502200225</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=42</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/9502200225.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Palma, Athos .<br /> Buenos Aires : Ricordi Americana, 1938 .<br /> 78 p. ; , Contiene apéndice 26,5 cm..<br /> 9502200225 </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=42">Place hold on <em>Curso de teoría razonada de la música / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=42</guid> </item> <item> <title> Teoría de la música / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1549</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Danhauser, A. .<br /> Buenos Aires : Ricordi Americana, .<br /> xxi,125 p , Con un cuadro sinóptico de las extensiones de los instrumentos y de las voces comparadas con la del piano y un cuestionario apéndice de la teoría Ejemplar 1 falta según inventario 1980 </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1549">Place hold on <em>Teoría de la música / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1549</guid> </item> <item> <title> Practical music theory / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1550</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Dickey, Frances M. .<br /> s/l : Oliver Ditson, 1934 .<br /> 118 p , escribir melodias y entrenar el oido </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1550">Place hold on <em>Practical music theory / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1550</guid> </item> <item> <title> Fundamentals of music / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1552</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Elliot, Raymond .<br /> s/l : Prentice-Hall, 1955 .<br /> 206 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1552">Place hold on <em>Fundamentals of music / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1552</guid> </item> <item> <title> Practical music lessons / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1553</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Harrison, Luther A. .<br /> s/l : s/e, .<br /> s/p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1553">Place hold on <em>Practical music lessons / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1553</guid> </item> <item> <title> On the Sensations of tone as a Physiological basis for the theory of music / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1555</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Helmholtz, Hermann .<br /> s/l : Dover Publications Inc., 1954 .<br /> xix,576 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1555">Place hold on <em>On the Sensations of tone as a Physiological basis for the theory of music / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1555</guid> </item> <item> <title> Elementary training for musicians / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1556</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Hindemith, Paul .<br /> s/l : Associated Music Publishers, 1946 .<br /> 237 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1556">Place hold on <em>Elementary training for musicians / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1556</guid> </item> <item> <title> Fundamentos Musicales / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1557</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Hooper, William R. .<br /> El Paso : C.B.P., 1968 .<br /> V. </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1557">Place hold on <em>Fundamentos Musicales / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1557</guid> </item> <item> <title> Método teórico y práctico de lectura musical / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1559</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Menozzi, Juan .<br /> Buenos Aires : Imprenta Musical Garrot, 1949 .<br /> 99 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1559">Place hold on <em>Método teórico y práctico de lectura musical / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1559</guid> </item> <item> <title> Teoría básica de la música. Tomo I: Curso de Educación Cristiana / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1560</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Mussiett, Salomón .<br /> s/l : s/e, 1963 .<br /> 34 p a mimeógrafo ; 28 cm.<br /> </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1560">Place hold on <em>Teoría básica de la música. Tomo I: Curso de Educación Cristiana / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1560</guid> </item> <item> <title> Structural Hearing. Tonal Coherence in music / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1561</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Salzer, Felix .<br /> s/l : Dover Publications.Inc., 1952 .<br /> 2 vol. </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1561">Place hold on <em>Structural Hearing. Tonal Coherence in music / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1561</guid> </item> <item> <title> Elementary music theory / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1563</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Smith, Ralph Fisher .<br /> s/l : Oliver Ditson, 1930 .<br /> 134 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1563">Place hold on <em>Elementary music theory / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1563</guid> </item> <item> <title> Gist of Music. / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1564</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Wedge, George A. .<br /> s/l : Schirmer, 1936 .<br /> 123 p , fundamento clave para el entendimiento y uso musical </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1564">Place hold on <em>Gist of Music. / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1564</guid> </item> <item> <title> Escuela coral. Tratado teórico práctico de preparación musical para el canto en conjunto. 1ra. parte / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1566</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Olivares, C. .<br /> Buenos Aires : G. Ricordi , 1937 .<br /> 78 p , Tambien </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1566">Place hold on <em>Escuela coral. Tratado teórico práctico de preparación musical para el canto en conjunto. 1ra. parte / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1566</guid> </item> <item> <title> How to teach how to learn rudiments of music / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1567</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Tower, D. .<br /> Chicago : Towner, 1911 .<br /> 63 p ; ilustrac..<br /> </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1567">Place hold on <em>How to teach how to learn rudiments of music / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1567</guid> </item> <item> <title> The advanced music reader / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1570</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By McKinney, James C. .<br /> Nashville : Convention Press, 1961 .<br /> 97 p ; , tamien ilustrac., partit..<br /> </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1570">Place hold on <em>The advanced music reader / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1570</guid> </item> <item> <title> The progressing music reader / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1571</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By McKinney, James C. .<br /> Nashville : Convention Press, 1959 .<br /> 91 p. ; , tambien il..<br /> </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1571">Place hold on <em>The progressing music reader / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1571</guid> </item> <item> <title> Ear trining for teacher and pupil / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1576</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Alchin, C.A. .<br /> s/l : Oliver Ditson, 1904 .<br /> 136 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1576">Place hold on <em>Ear trining for teacher and pupil / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1576</guid> </item> <item> <title> A concentrated course in tradictional harmony / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1580</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Hindemith, Paul .<br /> s/l : Associated Music Publishers, 1943 .<br /> 125 p , con énfasis en ejercicios y normas mínimas </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1580">Place hold on <em>A concentrated course in tradictional harmony / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1580</guid> </item> <item> <title> Keyboard harmony / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1585</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Wedge, George A. .<br /> s/l : Schimer, 1924 .<br /> 194 p , Aplicación practica de la teoria musical, incluye harmonización de melodias, quebrados, acordes y arpegios, modulación e improvisación </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1585">Place hold on <em>Keyboard harmony / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1585</guid> </item> <item> <title> Theory and practice of strict counterpoint / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1587</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Lytle, Víctor Vaughn .<br /> s/l : Oliver Ditson, 1940 .<br /> 222 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1587">Place hold on <em>Theory and practice of strict counterpoint / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1587</guid> </item> <item> <title> Lessons in music form / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1589</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Goetschius, Percy .<br /> s/l : Oliver Ditson, 1904 .<br /> 146 p , A manual of analysof all the Structural factors and designs employed in musical composition </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1589">Place hold on <em>Lessons in music form / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1589</guid> </item> <item> <title> Essentials in conducting / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1591</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Gehrkens, Karl Wilson .<br /> s/l : Oliver Ditson, 1919 .<br /> 184 p </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1591">Place hold on <em>Essentials in conducting / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1591</guid> </item> <item> <title> Grammar of conducting / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1593</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Rudolf, Max .<br /> s/l : G. Schirmer, 1950 .<br /> 350 p , Un estudio práctico de la técnica moderna de la batuta </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1593">Place hold on <em>Grammar of conducting / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1593</guid> </item> <item> <title> Lead a song / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1594</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Wilson, Harry Robert .<br /> s/l : Hall Creary, 1942 .<br /> 114 p , Una guia práctica de la organización y dirección de un grupo informal de canto </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=1594">Place hold on <em>Lead a song / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=1594</guid> </item> <item> <title> Enciclopedia de la música / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=2846</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Hamel, Fred .<br /> Barcelona : Grijalbo, 1970 .<br /> 3 v </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=2846">Place hold on <em>Enciclopedia de la música / </em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=2846</guid> </item> <item> <title> Musica y expresion dinamica en E.G.B. </title> <dc:identifier>ISBN:8427703848</dc:identifier> <!-- prettier-ignore-start --> <link>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=21697</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/8427703848.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Moreno, Miguel A .<br /> Madrid : Narcea, 1979 .<br /> 192 p ; , Bibliografia p.190-192 ilu. : 19 cm.<br /> 8427703848 </p> ]]> <![CDATA[ <p> <a href="http://31.97.24.37/cgi-bin/koha/opac-reserve.pl?biblionumber=21697">Place hold on <em>Musica y expresion dinamica en E.G.B.</em></a> </p> ]]> </description> <guid>http://31.97.24.37/cgi-bin/koha/opac-detail.pl?biblionumber=21697</guid> </item> </channel> </rss>
